LA TERRA TREMA - Part 3 - Suffering

   The beginning of the third part to 1 hour and 7 minutes, as the first is marked by the sound of bells, but play in a different way, this time not for the bell ringing, as a warning. The Valastro family is at sea without returning to the hour. The obsession N'toni to pay the debt will take you to the sea, even if it is busy, and it leads to its decline as the sea destroys their boat, leaving him without means to work and without means to repay the loan he had made to the bank. From another perspective, this event would be a punishment from the gods for his boldness in wanting to take a step higher than his own leg.

   When the bells are played, one begins a subjective level of the church before the village, as a warning of the gods they were, so as not to wander back this way (Annex 5 and 5a). 

                                                                   Annex 5

                                                                Annex 5.a

   The storm is remarkable and the men of this family do not appear; desperate women seek help while awaiting the arrival of his men, looking for hoizonte; this plan marked with great intensity, the contrast between land and sea. (Annex 6 and 6.1)

                                                         
                                                               Annex 6

                                                            Annex 6.1

       After a few hours, the men appear with the boat party. Without the possibility of agreeing on and without means to work, the only solution would work again for ex-bosses, but without success, all unaware, until Nedda N'toni ignores, for without their goods no longer interested him. Create here a plot of misery and suffering inherent in family Valastro and discrimination by the entire population to that family.

    N'toni seeks employment to all people, where everyone will respond to dispense with their help. No more alterntiva, because I go hungry, they end up selling their latest anchovies for a miserable price.

   No more solutions, N'toni distressed, was drunk every night, while his brother, grandfather, who eventually died, and mother go hungry. One day is taken them home as payment of the loan. The moment of farewell to the house is marked by the withdrawal of part of the family of the wall, with the ringing of bells, as a metaphor for death and separation, because this scenario was the subject of presentation of the Valastro family early in the film. (Annex 7).

                                                             Annex 7

   Living on the street and starving, is not sufficient for the population change of attitude, completely despresam this family, all still working, as if he knew them, as if nothing happened around him. Here we are shown a cruel hand and without any emotion of human beings.

   While the brother of N'toni, Cola, meets a man who offers her a job out of Acitrezza and decides to go in search of fortune, outside the village. However, N'toni not give up and not lose faith in people, decides to start over.

  New boats are purchased by employers and new workers are in demand, N'toni with their younger brothers submit in the final scene of the film to a humiliation on the part of capitalists. With "Mussolini" nailed to the wall, Visconti makes a harsh critique of the fascist regime of World War II, it is as if set aside all the differences that separate employers, who have a monopoly of the fish in Acitrezza, the oppressive regime and Mussolini's fascist (Annex 8). 

                             

                                                               Annex 8

   All enjoy with them saying, "Look who's here! That face of hunger, "as if there were more than objects, or simple labor. So, asks N'toni employment for themselves and their brothers, while listening to laughter: "Look at the chicken with her chicks. Come! I'll take all. " Thus ends the film with your family and N'toni again operated by a minority group that holds power and explore all that confomam.

   This third part is replecta of injustice, inequality and suffering. It is thus a set of the first two phases existing in the film, with a tonic suffering added to the other. This set of feeling is transmitted at this stage, through planes, over a long time, but the contents demonstrate an increased pain because the situation of the narrative. As the emptiness, or loneliness, which are often transmitted, either showing the characters themselves, with the horizon in the distance, as a simple image of a dog barking when looking N'toni Nedda and no one answered him. (Annex 9)

                                                              Annex 9